Februari 03, 2015
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Ebook Download The Figure in Motion: A Visual Reference for the Artist, by Mark Smith
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The Figure in Motion: A Visual Reference for the Artist, by Mark Smith
Ebook Download The Figure in Motion: A Visual Reference for the Artist, by Mark Smith
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Product details
Hardcover: 176 pages
Publisher: Watson-Guptill; 1st Edition edition (September 1, 1986)
Language: English
ISBN-10: 0823016927
ISBN-13: 978-0823016921
Product Dimensions:
8.8 x 1 x 11.5 inches
Shipping Weight: 1.8 pounds
Average Customer Review:
3.8 out of 5 stars
44 customer reviews
Amazon Best Sellers Rank:
#1,039,496 in Books (See Top 100 in Books)
The book, The Figure in Motion, is an important supplement for your figure-drawing library.There are some areas where the book could use some improvement, but the current edition is still a useful resource.The Figure in Motion contains over 165 full-page, black & white photos of action and motion poses, and eighteen (2 ½" x 3 3/8") insets of drawings of selected poses, drawn by five different artists. The authors have taken pains to light the models in such a way as to obtain a smooth gradation of values in order to provide a good, multi-value reference for body contours. They also chose models capable of the posing feats that they required.Although I prefer to draw and paint from live, life models, live models are restricted to poses that they can hold for an extended period of time.The Figure in Motion provides action and motion poses that a live model would be unable to freeze and sustain. That makes the book a good resource for dramatic poses, for gesture drawing, and for capturing a feeling of motion in one's drawings.In addition to providing a variety of action poses, the book is sprinkled with examples of how one might creatively interpret the poses. For example, author and artist Thomas Easley draws one of the poses as a sword-bearing warrior angel in the sky. Guest artist Wayne Mott shows an easy way to create a strong feeling of motion in a drawing of one of the poses. Wayne Mott and Bob Morgan illustrate two different approaches to contour drawing.Kudos to the author for including a few multi-model and family themed poses at the end of the book. I would like a few more poses along those lines -- especially the types of poses that one might envision Rodin requesting for his sculpting.Most of the photos in the book have white backgrounds with no shadows, giving them a cut & pasted appearance. This may be intended to free the model of context, so that the artist can interpret more freely, or, perhaps, to provide contrast between the model and the uniform, mid-key background that Mark Smith used as a backdrop. However, I would have preferred sharp shadows. I find shadows valuable for grounding the image, and for helping me to better understand the light sources. In an indoor studio session with a live model, I might draw an outdoor scene, using the model's actual shadows across chair, platform and props to guide my drawn shadows across rocks, tree roots and ground contours.The models in the book are, unfortunately, all of similar body types. This not particularly true to life. In the study of figures, it is important to be able to render, interpret and celebrate the variations of humanity.A good example to guide this book to a future, 5-star edition, is the free web-resource, "The Figure Drawing Factory" -- a Yahoo group/forum which is a collaboration of artists and life models that provide a variety of poses, body types, and group projects. ultimately resulting in a dozen or two interpretations of the same pose. Even in light of a free resource such as this one, the book Figures in Motion is still an important resource for that niche of difficult-to-hold, and often difficult-to-photograph, poses.In summary, I would like a future edition to include a greater variety of body types (and skin tones), more examples of interpretive drawings, photos with grounding shadows, and additional poses suitable for dramatic gesture drawings including both single-model poses and multiple-model poses (think Rodin sculptures).In the meantime, I think that the authors have done a good job of filling a needed resource niche, and that you will find this book a useful supplement to your figure-drawing library.
I thought this was going to be more of a "how-to" or a breakdown of anatomy to guide artists in creating more life-like, realistic motion in their images. But this is simply a book full of photos of mostly women and a few men (as well as a few "family" shots) in various poses of motion that artists can either look at to reference or attempt to replicate in their art to get the feel of these types of movement.
The book is okay for what it is- a useful reference for body movement. The book contains two hundred photos of female and male models in suspended action poses. A practical guide for art basics to show a real persons musculature when in certain positions. The critical points made by others are that many photos are "grainy" is valid as well as the fact that the models are lightweight Caucasians. The cover model displays the essence of the book, the human figure in motion. Not a must have for art studies but if one can find it under $10 then buy it.
Amazing book! Figure in motion is essential for fine art students and I don't have words to describe how useful this was for completely my projects!
Useless buy Art Models instead even if its the book version (the disks for Art Models are fabulous).
I wasn't even sure this was still around. Pleasant surprise and great price. Book was in terrific condition.
the photographs aren't of the BEST quality [very grainy], but that didn't really bother me much.the poses are very un-natural and a little forced.there is a lack of male models in this, so if you're looking to use this as a reference book for males i suggest you keep browsing elsewhere.over-all a good buy.
Getting back in to Sketching again great reference.
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