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Review

Praise for THE INTERIOR CIRCUIT:A Los Angeles Times Top 10 Books of 2014; The Guardian 10 Best City Books of 2014; Biographile’s Best overlooked memoirs 2014; New York Public Library's Best Books of 2014; Business Insider Australia (Librarians' Pics for Best Books of 2014); San Francisco Chronicle (Writers Share Best Books of 2014 - Maria Venegas Pick); Vue Weekly Best Books of 2014One of New York magazine's "7 Books You Need to read this July"; A Vanity Fair Hot Type pick; An Amazon "Best of" pick for July“Remarkable…Sentence by sentence, Goldman brings to life a city that is bewitching, terrifying, beautiful….Goldman brings something new to the [chronicle] form.”—John Freeman, Boston Globe"So sneakily brilliant it's hard to put into words. Part travelogue, part memoir, part reportage on Mexican politics and the scourge of narco-terrorism, it is also, in the finest sense, a book that creates its own form....the genius of "The Interior Circuit," [is that it] link[s] Goldman's grief for Aura to the grief of all these families and indeed of Mexico. It's an audacious move, but it works because of the offhand beauty of the writing, which shifts from individual to collective with the fluid grace of circumstance."—David Ulin, Los Angeles Times"Both an homage to the (albeit flawed) city [Goldman] calls home and a meditation on the many residents — himself included — who have experienced loss there...Goldman is a keen observer and an apt guide to Mexican politics and society."—Adam Goodman, Washington Post"An indispensable contribution to the growing body of artistic representations of Mexico’s most recent years of darkness...there is an urgent, raw beauty in Frank’s prose, as if we are plugged into an only slightly edited version of his journals, and it is full of “cortos”: journal gives way to reportage, reportage to lament, lament to polemic, polemic to erudite rumination...Frank throws himself into the Heavens case with tremendous journalistic energy, badgering officials, cultivating confidential sources, scouring what looks like just about every press account, and, most importantly and at some risk, by crossing the social border and stepping into the old barrio to interview the relatives of the disappeared...Here Frank joins a growing crew of writers (among them Marcela Turati, Oscar Martínez, Cristina Rivera Garza, John Gibler, Magali Tercero, Sergio González Rodríguez, Diego Osorno, Daniel Hernández, Lydia Cacho, Anabel Hernández*) who undertake dogged investigative journalism — the kind there is precious little support for in the digital age, and which in the Latin American context can get you killed — and dedicate themselves to revealing the victims, itself an eminently political (and also spiritual) task that is the heart of Javier Sicilia’s movement...Interior Circuit confronts the corto, the short-circuit, as in too-brief-is-our-time, by recognizing the absurdity of both “freakish” and politicized death, and of the necessity of mourning both intimately and in community — of reconnecting the broken circuit with the language of pain itself."—Rubén Martínez, Los Angeles Review of Books"Goldman draws an imagined geography that depicts very well the harsh realities which those of us who live in the DF face. We must be grateful that a foreigner has given back to us the feeling that, in spite of everything, it's worth it to live so intensely the interior circuits of [Mexico] city."—Roger Bartre, Letras Libres"Though much can be said about the elegance of Goldman's writing and the piercing quality of his reportage, it's really the emotion-driven moments - his identification with those seeking to improve the city's living conditions and with those affected by the Tepito victims' deaths - that take "The Interior Circuit" to a commendable height that even crónica doesn't set out to reach...Altogether moving and eye-opening, "The Interior Circuit" is as much a love letter to Mexico City as it is to his late wife."—Rigoberto González, San Francisco Chronicle"Goldman’s journey is an intensely personal quest...Beautiful writing and unblinking honesty...little has yet been written about the Peña Nieto presidency and Goldman is thought-provoking on the corrupt path he sees Mexico stuck on, and the uncertain course that lies ahead."—Jude Webber Financial Times“Francisco Goldman, whom I never read before this year, has quickly become one of my favorite contemporary authors. This great work of literary nonfiction begins after the tragic death of its author’s wife and moves forward as a variegated chronicle of Mexico City.”—Jonathon Sturgeon, Flavorwire“Goldman transcends the personal, transmuting the role of memoirist into that of city chronicler.... Goldman’s surrealistic portrait of DF gives due weight to the city’s layered complexities... In searching for some essence in the city Goldman finds an inner territory beyond personal grief.”—The Daily Beast"Suddenly, thanks to the keen eye and sympathetic imagination of the journalist and novelist Francisco Goldman, I care about the place that locals call the D.F....Goldman is by turns impassioned and detached, loving his adopted city while by no means blind to its many faults...Goldman made me care. That’s what the best writers do."—Chris Tucker, Dallas Morning News"Incisive observation, flashing wit, intense curiosity...vivid prose...The vibrant life of Mexico City makes for a compelling story in its own right, and not merely as the backdrop for Goldman's personal quest, as absorbing as that continues to be. In either of its incarnations, this is a story about love, whether for a person or for a city, in all the complicated, rewarding and painful messiness that emotion entails."—Harvey Freedenberg, Book Reporter.com"Much of the pleasure of The Interior Circuit builds on Goldman's knowledge and love of Mexico City and his unabashed personalization of its streets and student dives....If The Interior Circuit is partly Goldman's chronicle of overcoming personal sorrow, it is even more his take on the politics, complexity, romance and vibrancy of one of the great megacities of the world."—Shelf Awareness"Exquisite...perceptive, funny, and philosophical...Throughout this remarkable book, Goldman is highly attuned to the pulse and rhythm of one of the world’s most captivating cities."—Publishers Weekly (starred review)“This book is an exquisite, deeply funny, truly gorgeous panorama of Mexico City by a writer of enormous sensitivities who notices everything. This book will charm and urgently engage you like no other, because it is so totally original. It includes the dirty parts.”—Rachel Kushner

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About the Author

Francisco Goldman is the author of the novels: Say Her Name; The Long Night of White Chickens, winner of the Sue Kaufman Prize for First Fiction; The Ordinary Seaman, a finalist for the IMPAC Dublin Literary Award; and The Divine Husband. His last book of non-fiction, The Art of Political Murder, was awarded the Index on Censorship’s TR Fyvel Freedom of Expression Book Award.

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Product details

Series: Mexico City Chronicles

Hardcover: 336 pages

Publisher: Grove Press; 1st Edition edition (July 2, 2014)

Language: English

ISBN-10: 0802122566

ISBN-13: 978-0802122568

Product Dimensions:

6 x 1.2 x 8.5 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

35 customer reviews

Amazon Best Sellers Rank:

#1,057,439 in Books (See Top 100 in Books)

It's very well written but I made the mistake of ordering the narrated Audible version during a 10 hour road trip with my wife, and 2/3 of the book deals with death, corruption (on every law enforcement level), violence, kidnapping, assault, mugging, rape and every atrocity imaginable. I was seduced by the free audible 'sample' which seemed to focus on culture, rituals, traditions, and by the time we got half way through my wife (in the car with me) was horrified and doesn't want to come to Mexico City with me anymore. I'm sure its all true, but it was so dark, hopeless, and depressing. Would have been nice to add some happy endings for relief here and there.

It was certainly full of information and I loved the author's personal stories. But it felt like he was desperate to break the "bubble" of the idea of safe and comfortable Mexico City. Those who have visited or live here know it's not safe, and we know there is violence and degradation both here and in the rest of the country. We know its corrupt, we know there are divers seemingly insurmountable problems.. But we can also see its beauty, its lovable weirdness, its comforting chaos. There were small glimpses of the DF that I know in this book, but only very small ones, and I was very disappointed. I did, however, learn a lot about the city's political history, and while the author and his circle obviously run much more to the left than I, I appreciated getting to hear a different point of view.

A fascinating window into Mexico City politics and the impact of violence on its citizens cerca 2013-15, and a must-read for those who are traveling to Mexico City, for the insights into its civil society, neighborhoods, and the demi-monde of intellectuals and artists as well. Some of the personal tale was funny as well as tragic and/or neurotic and convoluted, like the "interior Circuit" after which this book is named.

I was expecting a sort of travel story. However, it became a riveting and well written exposition of how one's world changes when the government turns from "let's pool our money to more efficiently help us all" to seeing citizens as targets to be fleeced for individual gain. Scary! And timely!

Excellent book! I live in mexico and I am quite informed about the situation here but this book filled in a lot of gaps. Also some eye opening info about Jamiaca, Brazil, El Salvador and Honduras. Very well researched and readable!

I fell into the trance of just simple interest based on the Mr. Goldman's extensive writing skills. Before reading the book, I had very little interest in Mexico City, and had a basic belief, stated by one of the people cited in the book, that it was a super polluted massive violent mess. Instead, through Mr. Goldman, I discovered a vibrant the creative class in Mexico City that challenges the belief that Miami is the capital of Latin America. I learned about where they lived, what they were accomplishing, and the fact that their ties to Paris seemed much stronger than their ties to the United States. Mr. Goldman also vividly describes the unsavory character of the Mexican upper class. The second half of the book deals with Mr. Goldman's investigation into a kidnapping outside a club in Mexico City's most popular and generally safe club district, and the results of his investigation lead to interesting conclusions about the drug cartels, their relationship with Mexico outside its capital, and their close relationship to the Mexican government. Mr. Goldman is in love with Mexico City, and considers it his spititual and domestic base, but the reader is left with an impression that it is a City that is growing increasingly corrupt and increasingly unsafe. All in all, I found the book an incredibly readabel eye-opener about a city I had never before taken the time to explore.

I am still reading the book and having great satisfaction. I read equally English and Spanish, so when I figured out that Goldman had written it in English, I went for it. Nevertheless, given the subject, it might read even better in Spanish, if the translation is good.That said, Goildman's writing is brilliant. His language is rich and it reads without a hickup. A cover comment claims that it took a foreigner to write such a wonderful book on such an amazing, contradictory and fascinating city. But Goldman isn't really a foreigner, like many of us who have lived there for a long time. I'm emotionally tied to Mexico City, and drove around like any local. Granted, I learned to drive in S. America and only now, at my Golden Age, do I drive automatic. Other than the driving part (it's hard, granted and gotten worse), I can resonate with much of Goldman's experiences.I found it difficult to underand that when he got into #somos132 for such a long part of the book (not that it isn't an essential), there were some severe editor's oversights and that he fell for Camila Vallejo's "ravishing beauty" to the extent he did. Camila is, no doubt, an important figure in Latin America's student movements, but as in many things, they are better understood with a little more distance, time-wise.And never forget a key sentence: "If you think you understand Mexican politcs/social system/organization, it's because you are lacking information".Anyway, I believe it's an essential reading for anyone interested in Mexico. You won't regret it.

Good insight into an acclaimed journalist's life in Mexico City bringing some awareness into the modern life, politics, and challenges.

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